A Critical Analysis of Par Fabian Lagerkvist’s “My Father and I” Essay

The light accounting, My Father and I principal(prenominal)ly revolves nearly the journey of a acquire and son into the countryside on a fine sunny day. The journey that they went on to took until darkness set in and the beguile that they saw during daylight shifted from beautiful movieries to a horrible, at least in the eyeball of a sister, dark collage of figures.The story showed how beauty can turn into awe once cardinal element went come to the fore, in this case, the light. It also shows the difference in the demeanor of thinking between the father and the claw wherein the pincer was so terrified dapple the father was as quiesce as he is. This is evident in the intermit wherein both of them were passing through the menstruation where the shaver was as puzzled as to why his father acted as if he felt nothing while the child was very such(prenominal) afraid. The child went on to realize in the end of the short story that, like he has, his father also has ven erates only that the solicitude that it is the fear of the things that his father does not know.The author make his render by taking the school principal of view of a little child who is naturally curious of the things that go just ab bulge out him. In the short story, the son is the one that narrates the whole story and it is his thoughts that the audience sees. This make him as the main focal point that the author applyd. This way, the curiosity that is evident in each child is played upon by the author to effectively deliver a point of realization wherein the boy itself answered much of his questions.The father on the other peck is the one the author used to indicate the natural concern that every set up has with their children. The actions of the father show him being restrictive and a motivator when his son was acquiring terrified of the darkness. The father also plays a major part in the terminate wherein he himself felt fear for his child by and by a train came in and almost hit them. The faith that he has in God somehow is the performer that also made the child calm yet puzzled.Lagerkvist efficiently made use of descriptive ways in photograph out the circumstances in the short story. The account of every detail was intricately lay out in order to incur the proper intention in every part of the short story. His descriptions were so pictorial that the reader may feel as though he was actually locomote alongside the father and son on the railroad tracks all throughout the story. The building and the plot of the short story are pretty much divided into deuce specific and distinctive scenarios. First is the witness of the railroad track and the environment around it. The author describes every detail that is demand in order to picture out the place and how the place is lit up by and also the manner it reacts to the sunlight. It essentially describes for the reader to appreciate the beauty of the countryside and the capital of New Ha mpshire of the world they both are in evident with the maiden train stab wherein his father knows that the train whod passed by was a colleague of his.All this was changed after darkness set in at the countryside and the father and son went their way bandaging home wherein the second main scene sets in. In this particular scene, all the main components that were described by the author during the first main scene met its opposite as the amount of light that was present onward went gone and the effect made a gloomy picture that is terrifying for the child. The predilection in this story then on went from calm during the first scene to mother tense at the second scene especially in the part wherein an unknown quantity train from absolutely nowhere popped out of the scene and even terrified the father. In general, the short story is an effective demo of the unconditional concern of parents for their children. The bond that was create out of the situations in the short story ma de the child to realize the determination of everything that happens around them and that the greatest fear that anyone has is the fear on things we do not know. rootLagerkvist, Par. The Marriage Feast and Many Others. Chatto and Windus. 1955.